Jill London | Untitled Abstract (Circa 2000) Treasures of the sea " Interfering Friends May Frown

" Interfering Friends May Frown captures the artist’s unique ability to balance geometric structure with raw

This unique glazing technique elevates the familiar form

the finish is original

Continental or American

Translation: "Panfilo Diaz was very grateful for saving his life while taming a lion in the circus that became furious and attacked me but you protected me and saved my life with good during that said incident

Jill London | Untitled Abstract (Circa 2000) Treasures of the sea " Interfering Friends May Frown9 3 4W x 15 3 4H x 3 4D In this luminous horizontal panel, Jill London orchestrates a brilliant collision between the ancient technical lineage of the 18th Dynasty and the high velocity mark making of the 1980s New York avant garde. Having honed her gestural vocabulary while working in the studio of Jean Michel Basquiat, London translates the raw energy of the Lower East Side into a sophisticated, material driven meditation. The work is grounded in a