The Inferno Modern readers consider it a

Modern readers consider it a landmark in the history of American fantastic fiction and a successor to the traditions of Rabelais

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the composition is widely studied by practicing musicians and music students

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The Inferno Modern readers consider it aIn 1867, when Henry Wadsworth Longfellow published the first American edition of The Inferno, Dante was almost unknown in this country. The New England poet and educator, who taught Italian literature at Harvard, introduced Dante's literary genius to the New World with this vibrant blank verse translation of the first and most popular book of the three part Divine Comedy. Expressed in haunting poetry of great emotional power, The Inferno chronicles